![]() ![]() ![]() I honestly had no idea so many people were still using it after all these years, it’s very moving. Thank you! One nice thing that’s happened since NI removed Absynth from their product line is I’ve gotten more in touch with musicians using Absynth, I’ve received hundreds of messages. Would you share with us a few memories from the early Absynth days, and what they meant to you? – First of all, let me say that I think the whole electronic music community should be grateful to you for your work on Absynth, and for the inspiration and excitement it gave us in the early days of VSTs and later on. You can learn more and try/buy Plasmonic from the Rhizomatic website.Īs a small tribute to the man who let us have such a great sound-making time, we asked Brian some questions about his Absynth memories, the development of Plasmonic, Brian Eno, MPE, and more… In these 23 years since the release of the original Absynth version, the music software world has changed a lot, but with Plasmonic Brian Clevinger has proved once again to be able to create wonderful, inspiring tools for the electronic music community.Īt a glance, Plasmonic’s interface might look dated, but the sound design possibilities, MPE support, the always-useful 8 macro controls (just assign them to your controller knobs and enjoy!) and the cool effects, make Plasmonic a worthwhile investment. ![]()
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